In The Lion King, unlike the other lions, Scar’s claws are always displayed throughout the movie.
In The Little Mermaid (1998) when King Triton is introduced, you can see Mickey, Donald, Goofy and Kermit the Frog in the crowd, underwater.
In Cars, the flies are actually tiny cars with wings.
In Hercules (1997) the Fates tell Hades all the planets will align but only show 6 planets aligning. These are the 5 planets plus Earth that the ancient Greeks were aware of and could see with the naked eye.
In Zootopia, while Officer Judy Hopps is ticketing cars around the city, she never crosses the street illegally. She always uses a crosswalk and looks both ways before crossing.
In monsters inc, sully’s chair has a hole in it to accommodate his tail.
In The Brave Little Toaster, all of the walls in the cottage are cleaned only as high as Blanky can reach.
In Cloudy with
a Chance of Meatballs, during the food storm the president’s of Mount
Rushmore get pied in the face but Abe gets hit in the back just like his
assassination.
In Cars the truck stop advertises “convertible waitresses” i.e., topless.
In Finding Nemo, Bruce the shark starts crying when Marlin starts talking about Nemo, saying “I never knew my father”. Male sharks mate with the female then leave, so baby sharks never actually meet their father.
The Magic Carpet from Aladdin makes an appearance in Moana.
In UP, there are craft supplies on the table by Ellie’s hospital bed when she gives the Adventure Book to Carl.
The hold up scene in the Incredibles is actually an homage to a similar scene from Die Hard with a Vengeance, which also starred Samuel L. Jackson.
In Toy Story 3 (2010) Buzz Lightyear’s batteries are exposed showing the Buy n Large brand, the same company responsible for making WALL·E.
In Ratatouille (2007) Anton Ego’s typewriter resembles a skull and his office a coffin.
In Monsters, Inc. (2001), there are multiple sizes of coffee cup for each of the different sized monsters.
In Toy Story 2 (1999), as the restorationist is going through his equipment, he opens a drawer filled with chess pieces. This is a reference to the Pixar short “Geri’s Game” where a similar looking man plays a game of chess against himself.
In Inside Out (2015) while going through Imagination Land a game box can be seen in the background with Nemo on it called Find Me.
In Cars, you can spot Sully and Mike in cars form!
At the end of Ratatouille (2007) Anton Ego is a little bit fatter. This is especially poignant since he states, “I don’t like food, I love it… if I don’t love it I don’t swallow.”
In Coco we can see The Incredibles poster.
Insuricare,
the company that offers “car life insurance” to the cars in Cars 2, is
the same company Bob Parr works for in The Incredibles.
In Inside Out (2015) two of the memory orbs on the shelves contain scenes from Up (2009). One features Carl & Ellie’s wedding, while the other shows their house.
In
Toy Story Woody is trapped in a crate which is stuck under a ‘Binford’
tool-box. Binford is the fictional tool company in the TV show Home
Improvement which starred Tim Allen, the voice of Buzz Lightyear.
In
The Incredibles, in Bob Parr’s home office, there’s a photo from a
fishing trip where it appears he caught Bruce from Finding Nemo.
In
Cars 2 (2011) while in a pub in London there is a tapestry on the wall
that is the DunBroch family tapestry from Brave (2012), except they are
portrayed as cars.
In “Ratatouille” (2007), Linguini has to hide Remy before his second
day of work. He offers to hide him in his pants, revealing his briefs
covered in The Incredibles logo.
After the plane is blown up in The Incredible, Helen (Elastigirl) knows the plane debris is going to fall on them due to seeing the reflection in the water.
Nils-Udo (born 1937) is a Bavarian artist who has been creating environmental art since the 1960s when he moved away from painting and the studio and began to work with and in nature.
Even if I work parallel to nature and only intervene with the greatest possible care, a basic internal contradiction remains.
million dollar idea: instead of spending thousands of dollars on steady-cam equipment, filmmakers should just attach a camera to the head of a chicken and carry the chicken around as you film.
Remember in 1993 when Jurassic Park was like…the end all, be all of special effects?
not gonna lie that still looks intimately real
I’m still somewhat convinced that someone sold their soul to create the special effects in Jurassic Park because that shit is over 20 years old and it still really, really holds up, better than the stuff in a lot of current movies, even.
Fucking witchcraft, man.
fucking look at this shit though
Literally see this post flying around with a few different responses added to the bottom each time so I’ll say it for this one myself:
THEY ACTUALLY BUILT A GIANT MASSIVELY DETAILED FUCKING ANIMATRONIC T-REX FOR ALL OF THIS THAT’S WHY THE EFFECTS ARE SO GOOD. CAUSE IT AIN’T CGI. AND IT AIN’T GUY IN A COSTUME. IT’S A BIG FUCKING ROBOT DINOSAUR. AND EVERY PART IS DESIGNED TO MOVE. IT COST LIKE HALF THE BUDGET OF THE FILM.
amazing
And they had the film it in small increments, especially in the outdoor scenes, because the rain fall kept soaking into the ‘skin’ of the rex and would slow down and mess up its movements. So they would stop filming and have a crew out there drying off this massive, fake dinosaur, and then they’d start filming again until it was too wet. Repeat until the end of the scene.
They used animatronics and detailed costumes for most if not all of the dinosaurs in the first movie.
The triceratops for instance, was also animatronic.
One of my favorite anecdotes I’ve read on tumblr is how the t-rex robot from Jurassic park would malfunction while it was drying out. How did it malfunction, you might wonder?
Motherfucker randomly started moving.
So apparently if you were on the jp set you would sometimes hear people screaming bloody murder even though they were all well aware that it was a giant animatronic puppet and wouldn’t actually, you know, eat them.
Did not know this, had to reblog for awesome movie history insights.
So, I knew about the animatronics bit but I did not know the raptors were guys in suits and the malfunctioning t-rex sounds terrifying.
And i just googled malfunctioning t-rexand was not disappointed. Apparently in order to put the skin on over the steel frame a guy had to crawl inside thet-rex while it was turned on and glue the skin down. And if somebody turned the t-rex off or the power went out the guy in the t-rex stood a very real chance of getting mangled and killed by the hydraulics.
So of course, the power goes out.
And this guy is still in there gluing the skin down.
Apparently the way to survive getting sheered to death by huge sheets of metal while you’re inside a giant t-rex robot is to curl into a ball and hope for the best.
And this guy hoped for the best and got it.
Some other people on stage pried open the t-rex jaws and glue guy crawled out of its mouth and was totally okay.
This is getting better and better.
I think they only had like 6 minutes of CGI
I’m just waiting for the T-Rex to come to life and leave its stand.
The thing about this that gets my special effects nerd going is the fact that EVERY single dinosaur was sculpted by artists based on the current existent archeological evidence of the time.
Even better than that, this movie ADVANCED our best understanding of dinosaurs at the time. They were blowing out a budget bigger than anything Hollywood had ever seen, and along with employing almost the last hurrah of incredible physical FX, they had a bank of those newfangled digital SFX computers. Nobody’d ever really created convincing dinosaurs in a movie before. It’d all been stop-motion animation, and even when the models were exquisitely crafted, you could just tell there was something OFF about them. Spielberg wanted THE BEST DINOSAURS EVER, and he figured on using the cutting edge of digital modeling and animation technology to build them for him.
So they got hold of some of the best paleontologists they could find and said, “We want you guys to take this tech that your labs could pretty much never afford and use it to build us the most realistic, accurate dinosaur models the world has ever seen.”
The paleontologists knew an opportunity when it bit them in the ass. They plugged in everything they knew about dinosaurs, all the skeletons and their best guesses about soft tissue and all that. And when they’d created those dinosaur models, they had the computer start moving them as they realistically would with anatomy like that. One guy took a look at those walking t-rexes and velociraptors (really utahraptors, but whatevs, fam), and he said, “Wait a minute, I’ve seen movement like that before.”
He called up film of a chicken walking. Everyone in the room said, “Holy shit.”
Prior to 1989, the idea that birds were descended from dinosaurs existed–we knew about archaeopteryx, we knew there was some minor connection there–but the idea that DINOSAURS LIVE IN THE MODERN WORLD AND THEY ARE CALLED BIRDS was not pre-eminent. Jurassic Park changed our scientific understanding of dinosaurs.
That paleontologists’d be Kevin Padian. Who is awesome.
